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For his show in the MCBA Espace Projet venue, Uriel Orlow is presenting a series of new works from a research project begun in Bolzano (Italy) which takes fossilised trees as its main subjects, in order to explore the extended time of climate change.
For his show in the MCBA Espace Projet venue, Uriel Orlow is presenting a series of new works from a research project begun in Bolzano (Italy) which takes fossilised trees as its main subjects, in order to explore the extended time of climate change.
This show challenges us with a singular landscape, the sea, in works of art from the 19th century to the present. What role have artists played in fashioning its imagery? How do they express our desire to preserve its mysteries and beauties?
This transhistorical show, the first thematic exhibition devoted to Surrealism at MCBA since 1987, examines the unprecedented relevance today of this major movement in the history of art. Surrealism, a young centenarian, hasn’t aged one bit.
To mark the award of the Manor Vaud Cultural Prize, Gina Proenza is taking over the Espace Projet for a brand new exhibition: she devises a polyphonic installation that questions the positions of those who pronounce or receive a sentence.
To mark the award of the Manor Vaud Cultural Prize, Gina Proenza is taking over the Espace Projet for a brand new exhibition: she devises a polyphonic installation that questions the positions of those who pronounce or receive a sentence.
MCBA is pleased to announce the first solo exhibition in Switzerland devoted to the work of Babi Badalov. Both writing and drawing, the artist’s visual poetry explores the political and poetic possibilities of language.
MCBA is pleased to announce the first solo exhibition in Switzerland devoted to the work of Babi Badalov. Both writing and drawing, the artist’s visual poetry explores the political and poetic possibilities of language.
MCBA is pleased to present White Out – Between Telling and Listening, an installation by Esther Shalev-Gerz, who offers us a portrait of a woman between two cultures, places, and timeframes.
MCBA is pleased to present White Out – Between Telling and Listening, an installation by Esther Shalev-Gerz, who offers us a portrait of a woman between two cultures, places, and timeframes.
With fourteen immersive environments by a range of artists, from Lucio Fontana to Judy Chicago, Immersion. The Origins: 1949-1969 is the first exhibition to look at an emerging practice that was to become one of the major forms of expression starting in the 1990s.
For the second exhibition featuring the BCV Art Collection in MCBA’s special Espace Projet gallery, four artists are showing new installations and other pieces in a play of correspondences and dialogue around their respective practices
For the second exhibition featuring the BCV Art Collection in MCBA’s special Espace Projet gallery, four artists are showing new installations and other pieces in a play of correspondences and dialogue around their respective practices
MCBA is pleased to celebrate Théophile-Alexandre Steinlen, a wonderful eyewitness to the Belle Époque in Paris. The show features for the first time an extensive group of works from the Paul and Tina Stohler Donation.
MCBA is pleased to celebrate Théophile-Alexandre Steinlen, a wonderful eyewitness to the Belle Époque in Paris. The show features for the first time an extensive group of works from the Paul and Tina Stohler Donation.
Drawing on rituals such as dances, processions and games, Emily Jacir's film installation for the MCBA traces how space, community and memory can be claimed.
Drawing on rituals such as dances, processions and games, Emily Jacir's film installation for the MCBA traces how space, community and memory can be claimed.
